Page 37 - Tạp chí bonsai cây cảnh BCI 2013Q4
P. 37

veryone is  crying  loudly  that  forests  are
              dwindling at an alarming rate. When we go
              on a journey, we do not see any forest in and
       Earound our cities. But they do exist in small
        patches around us. The important point is, do we have
        time to stand still and observe this natural oasis? If
        you do, you will find nature’s wonder, teaming with
        beauty and life.
        Normally in one area of forest, we find almost the
        same types of trees and some similar varieties thriv-
        ing in the same atmosphere and circumstances.
        Forests are created by dispersal of seeds by unique
        methods, some fly with their silky threads in the air   Trees, shrubs and grasses grow around these boulders   Top; Forest of Ficus longisland
        and land in far off areas. Some seeds are dispersed   and stones, developing unique scenery along with riv-
        by birds and animals. At appropriate time seeds ger-  er, streams and ponds. When we try to replicate this   Bottom; Saikei of Juniperus
                                                                                                 chinensis at Taipei, Taiwan
        minate and start growing into seedlings, gradually   scenery of trees and stones into miniature, Japanese
        becoming trees. We see in a forest all sizes of trees,   masters called it saikei
        seedlings, some few years old while some well grown,
        majestic, mature trees, all coexisting.     Basic principles and guidelines to arrange trees in for-
        Trees develop network of roots which anchor them,   est and saikei are same. But saikei is more challeng-
                                                    ing as one has to create harmony, balance and three
        find water and food from soil. When rain comes they   dimensional effects with stones and number of trees.
        stop erosion to some extent. To our understanding,
        under the trees, weeds, grasses, creepers, ground cov-  Bonsai artist has to act like an artist who specializes in
        ers develop which actually help to stop the erosion   painting landscapes, so that he can create depth and
        by preventing the forceful impact of rain water and   perspective of ‘far off’ and ‘near view’ scenes by using
        many small streams that start flowing in a monsoon.
        This undergrowth also prevents flying of soil particles
        in dry season. It provides humus, microbes and pre-
        serves humidity. They are the ones which give shelter
        to millions of insects, small animals and birds which
        develop in to a fine cycle of ecosystem.
        We in bonsai try to replicate the tree that we see grow-
        ing around us. We copy its shape in miniature. We
        enjoy entire process of developing a fine specimen of
        bonsai and also love the flowers and fruits.
        Similarly, we bonsai growers, make group planting in
        a tray which is a replica of forest in miniature. Each
        forest bonsai may be a small one with 5 to 7 trees or
        a large one with more than 41 trees of all sizes, well
        grown to tiny thin saplings all beautifully arranged
        to give stunning effect. Along with well groomed
        trees, we create groups of trees placed in such way
        that they build contours, suggesting pathways. Some
        tiny grasses are planted; interesting green velvet moss
        is used to complete the composition.
        In nature, we do find forest spread out on large
        stretches of land, at the same time in many areas
        there are hills, slopes, cliffs and scattered stones on
        the ground.


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