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determine the meaning of stones. In Figure 12, an adroitly structured dis-
play enhances the impact and power of a display of small stones. Figure
10 is fascinating. It presents two views of the same Linglong Yin stone on
different bases and in different orientations. The same stone elicits two very
different responses. Kemin Hu named the vertically oriented stone: “Gro-
tesque Peak”, whereas, the horizontally- orientation stone is named “Delicate
Magpie Bridge.” Quite clearly, the stand and the orientation afforded play
a critical roll in influencing the sensed spirit of the stone. Synergy again.
Top left and right Figure 10 : One Linglong Ying stone in two stands and The ripples of the serendipitous meeting of Jonathan Singer and Tom
two orientations. Elias have propagated through the worlds of bonsai and stone appreciation.
Bottom; Figure 11: Three Gorges Stones: “Eight Eccentricities of Yangzhow”
Kemin Hu’s decision to allow her singular collection to be photographed
April/May/June 2014 | BCI | 39
