Page 48 - Tạp chí bonsai cây cảnh BCI 2014Q4
P. 48

When Daniel’s ideas are combined with visual in-
                                                                          spiration, courage, and a great trunk, beauty happens.
                                                                          A venerable image is produced and the viewers are
                                                                          transported to ancient forest groves inside their own
                                                                          imagination. A sense of awe for the struggle of life can
                                                                          be felt, and a profound respect for the will of the tree
                                                                          and its personal story of survival. That story and the
        Top row, left to right; Secreted                                  ability to evoke emotion are the things which he has
        waterfall that fills the central
        pond.                                                             pursued for over 55 years.
        Daniel under his Pond Cypress,
        Taxodium ascendens                                                A garden of surprises:
        Raw beginning in 1993 of                                            It’s impossible to separate the artist from his cre-
        Elandan Gardens.                                                  ation, and Elandan is a creation like no other. To
        Middle; Central pond view.                                        introduce you to a closer understanding of Daniel
        Bottom left, Cormorant, stone                                     Robinson, who he is, and why he works and thinks as
        sculpture by Will Robinson                                        he does, I have to introduce you to Elandan where the
        The Gargoyle (Lava stone)                                         heart of this artist is on display every day for all to see.
        Bottom right; Garden Shop side
        courtyard.                                                            The garden itself is such a tremendous collection
        Facing Page                                                         of individual articles that there is a great
        Top left; Daniel with a juniper   As Daniel’s work has evolved over time, an essential   dissonance; there’s the lack of tying together, other
        snag.                                                               than its all natural kinds of things. What’s the most
        Top right; Korean Black Pine,   concept became apparent from tree to tree, be it the   wonderful thing is to have surprises. Surprises in
        Pinus thumbergii      ones he collected, grew from seed, or acquired from   life are wonderful. It’s how you surround yourself
        Middle left; The juniper snag by   a nursery. His pursuit of expressing ancient looking   with them that is really kind of terrific, because
        the pond.             trees always reflected a history of cataclysm. This has   so many things are just mundane. So for me, I’m
        Middle left, lower left and right;   become the tie which binds together the various ap-
        Natural stone lantern and an   proaches to his work. For Daniel, tree design should   surprised when I find some ingredient, and then
        Alaska eroded stone.  in some way express the cataclysms of the tree’s life.   I’m surprised again when I inject it into my garden,
        Bottom left; Main garden path.  Be it fictional or just enhancing what truly happened   and have people come around a corner and say,
        Bottom right; Japanese Maple,   decades or centuries before, that history is essential.  “Wow, look at this!”
        Acer palmatum


































        46    | BCI | October/November/December 2014
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