Page 55 - Tạp chí bonsai cây cảnh BCI 2017Q2
P. 55

Final explanation and guidelines for choosing                                            Top;  In the future, a new,
        the pot                                                                                  deeper pot in which the tree
                                                                                                 is inclined 25–30° to match
          The work ended with an explanation on the possible                                     the trees original inclination
        bonsai pot to replace that of the cultivation container,                                 in Nature and highlight the
        only and exclusively after foliar growth(around one                                      current form.
        year, after the styling) and how to position the tree in                                 Middle; The styled tree shown
        the pot. The advice was to use a borderless rectangular                                  from the rear.
        or oval pot (or with a little-protruding edge) deeper                                    Bottom; The new front of the
                                                                                                 Alpine Wind, a Juniperus sabina
        than the current, increasing the juniper’s inclination of                                restored to its wild heritage.
        about 25-30 ° so as to approach the probable original
        placement in nature and its current form. An old pot
        of Tamba (Japan), it would be a good solution.

        Return of the Wind
          At this point our Juniperus sabina is restored to
        match the aesthetics and conditions of its primordial
        environment. The “Alpine Wind” has returned to blow
        through its branches, restoring in me, and I hope us,
        those emotions that only nature, with its strength,
        beauty, and endurance, is able to attract lovers since
        the dawn of time.
          Man is part of nature and he can not in any way be
        excluded from it. For this very reason it is important
        that even as bonsai artists, in our work, in our teaching,
        we have the utmost respect, following non-destructive
        techniques for the tree, aiming in the first place for
        its survival, and secondly to the aesthetic aspect that
        still must preserve the character of the species and the
        environment.















































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