Page 53 - Tạp chí bonsai cây cảnh BCI 2014Q1
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you’re representing a lot more than just yourself over
        there.” So true.
        The event has almost always been at Miyako Messe
        except for the two years while the venue was being
        rebuilt. Miyako is an old descriptive term for Kyoto
        (once known as Heian-kyo) and Messe is a German
        word for exhibition place. Judging is as follows. First,
        three of the best displays for each major division are
        chosen.
        The divisions are:
        Evergreens: Large/Medium/Small
        Deciduous: Large/Medium/Small
        Ishitsuki: Rock planting/Root over-rock
        Shohin Displays
        Satsuki
        All categories have three of the best representatives
        selected by a panel of ten bonsai professionals first.
        Then, five Taikan-ten honorary judges and five bon-
        sai professionals vote to choose the award winners.

        The Taikanten-sho Award is given to displays that
        are especially well made. Attention is paid to the
        harmony between the container, bonsai style, stand,
        and supporting elements. Mike and Amy Blanton’s
        display in 2009 won this award. To my knowledge,
        each of these awards is sponsored by a company or
        organization.
                                                                                                           Photo, Owen Reich





















                                                                                                           Photo, Mark Cooper
                                                                                                 Bottom and inset; Mark and
                                                                                                 Ritta Cooper have been keen
                                                                                                 on bonsai and koi for over 30
                                                                                                 years. They are a rare team as
                                                                                                 there is no check or balance
                                                                                                 system when both love bonsai
                                                                                                 equally as much. This display
                                                                                                 at the Taikan-ten was a major
                                                                                                 goal of theirs that they have
                                                                                                 now accomplished. They’ve
                                                                                                 also won awards at Noeland-
                                                                                                 ers and many British exhibi-
                                                                                                 tions. After Naoki Maeoka,
                                                                                                 an apprentice at Kouka-en
                                                                                                 styled this Pinus parviflora,
                                                                                                 Mark prepared the bonsai for
                                                                                                 exhibition. Ritta, an expert in
                                                                                                 the art of kusamono, prepared
                                                                                                 the supporting element.
        Photo, Mark Cooper
                                                                                      January/February/March 2014 | BCI |    51
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