Page 10 - Ebook cây cảnh Art of Bonsai
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10  The art of bonsai

                          Early origins                  c.970–999), offers evidence of the idea that natural
                         It is generally accepted that bonsai   beauty only becomes truly beautiful when it is
                        began in China. Known as pen     affected by the human touch: “A tree that is left
                         t’sai, there is evidence of training   growing in its natural state is a crude thing, it is
                          and container cultivation to give   only when kept close to humans who fashion it
                            trees artistic and metaphysical  with loving care that its shape and style acquire
                                value in Chinese paintings   the ability to move one.”
                                  from the Sung period
                                    (960–1279), in which   Popular evolution
                                     pen t’sai is depicted   Abstract Buddhist influences were superseded in the
                                     as a hobby of the   Edo period (1603–1867) by a popularization of bonsai,
                                     nouveau riche.      and a shift toward another school of Chinese
                                     Earlier accounts of   thought. Newly unified after years of turmoil, Japan
                                     bonsai from the 6th   became stable and prosperous, and bonsai culture
                                     century also exist,   began to spread among ordinary citizens. At the
                                     and it is possible   same time, an increased fascination with shape and
                                     bonsai spread to    structure was evolving, coupled with a rapid
        Japanese prints, like this one dating
        from 1780–1820, reveal bonsai was    Japan at this time,   expansion of tree species with the introduction of
        an established form. It depicts two
        women and their male servant    along with other   over 200 hybridized camellias and 160 azaleas.
        admiring a plant seller’s trees.  cultural and
                                     religious ideas such   The elite class of monks, scholars, and artists took
        as Tendai and Zen Buddhism. By the 14th century   a slightly different path during the Edo period,
        there is firm evidence of bonsai in Japanese culture:   with a move away from Zen Buddhism toward
        in one scroll, Kasuga Gongen Genki painted by    Confucian and Taoist ideals. The scholarly literati
        Takashina Takakane (1309), potted trees are depicted   movement was populated by artists who concentrated
        in the garden of a wealthy patron. A number of other   on brush-based disciplines—calligraphy, painting,
        sources from this time including poems, essays, and   and poetry. The Edo literati
        Noh theater present similar images of bonsai.    scholars of Japan followed
                                                         the tradition of
        The development of Japanese aesthetic ideas and   Chinese Wenren
        other art forms also provides an insight into the   scholars, copying
        development of bonsai. The oldest Japanese narrative   the southern style
        text, Utsubo Monogatari (Tale of the Hollow Tree,   of painting that



















           Chinese pea tree                                 Japanese black pine   Scots pine
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