Page 19 - Ebook bonsai for beginner
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Chinese Chan Buddhism also was imported and became Zen Buddhism

               in Japan. Finding beauty in severe austerity, Zen monks – with less land
               forms as a model -- developed their tray landscapes along certain lines
               so that a single tree in a pot could represent the universe. The Japanese
               pots were generally deeper than those from the mainland, and the
               resulting gardening form was called hachi-no-ki, literally, the bowl’s tree.
               A folktale from the late 1300s, about an impoverished samurai who

               sacrificed his last three dwarf potted trees to provide warmth for a
               travelling monk on a cold winter night, became a popular Noh theatre
               play, and images from the story would be depicted in a number of media
               forms, including woodblock prints, through the centuries.

               Everyone from the military leader shoguns to ordinary peasant people
               grew some form of tree or azalea in a pot or abalone shell. By the late
               eighteenth century a show for traditional pine dwarf potted trees was
               begun to be held annually in the capital city of Kyoto. Connoisseurs from

               five provinces and the neighboring areas would bring one or two plants
               each to the show in order to submit them to the visitors for ranking or
               judging. The town of Takamatsu (home of Kinashi Bonsai village) was
               already growing fields of partly-shaped dwarf pines for a major source of
               income.

               Different sizes and styles were developed over the next century; catalogs
               and books about the trees, tools, and pots were published; some early
               formal shows were held. Copper and iron wire replaced hemp fibers for
               shaping the trees. Containers mass-produced in China were made to

               Japanese specifications and the number of hobbyists grew.
               Following the Great Kanto Earthquake which devastated the Tokyo area
               in 1923, a group of thirty families of professional growers resettled twenty

               miles away in Omiya and set up what would become the center of
               Japanese Bonsai culture; Omiya Bonsai village. In the 1930s as formal
               displays of Bonsai became recognized, an official annual show was
               allowed at Tokyo’s Metropolitan Museum of Art.
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