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Viewing Stones



                                                                             A Contemporary


                                                                                        Perspective

































                                                                                                    dialogues



                                                                                                     between



                                                                                               the past and



                                                                                                 the present











        1

        By Richard Turner, USA     he American viewing stone practice derives  stones, embodies this very attitude towards tradition
        Photos by Richard Turner   from both the Japanese and Chinese viewing  and could well serve as a model for the development of
        except as noted.           stone traditions as they have been understood  a contemporary viewing stone idiom. His work hon-
        Photos 11, 12, 13, 14, 15,   and interpreted by American practitioners.  ors the past but is firmly grounded in the present and
        and 17 were taken by the   TTraditions are not closed, self-referential  oriented towards the future.
        collectors.           systems, to be approached with single minded, un-  One strategy for infusing a traditional practice with
                              questioned reverence, they are dynamic, ongoing   new life is to bring fresh perspectives to the table.
                              dialogues between the past and the present. The work   An example of this is the idea of the found object, a
                              of the contemporary Chinese artist Zhan Wang, who   term used to describe art created from undisguised,
                              makes large stainless steel sculptures in the form of   but sometimes modified objects or products that


        26    | BCI | October/November/December 2013
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