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taxi business and devoted full time to being a stone
        dealer and a stone carver. Sakurai worked primarily
        with stones from the Abegawa, Ibigawa, and Sagigawa
        Rivers, all located in the same general region of Japan.
        He told us that there were twenty professional stone
        cutters working in this region in the 1960s and 1970s.
        At that time, the raw material was abundant and
        inexpensive. Today, Sakurai is the last of the major
        professional stone cutters. There is another smaller
        carving operation on the Ibi River which specializes
        in making waterfall stones, and one other dealer who
        hand makes a few mainly landscape type stones for
        his retail sales table.
          Sakurai told us that he has a sales booth each year at
        the Kokufu-ten’s Green Club in Tokyo in February and
        then at the Taikan-ten in Kyoto in November. These
        are his primary venues for retail sales to individual
        collectors. He maintains a “don’t ask, don’t tell” policy
        regarding his stones. He doesn’t talk about working
        the stones he has for sale unless someone specifically
        asks. He also has some completely natural stones for
        sale at his booth.
          To learn how he enhances stones, we walked across
        to the other parallel building to begin our lessons.
        The first area was enclosed on three sides and held a
        large sink, cabinets full of tools and stones, and a large
        electric grinding machine on the floor. The large sink
        was used to determine where to cut stones. This was
        accomplished by placing a stone where it could rest
        on other stones that were slightly below the waterline.
        Sakurai adjusted the stone up or down to obtain the
        desired line to cut to have a good hut stone. The cut
        line was then marked on the stone and it was taken
        to the next room for cutting. Sakurai sits on a chair
        in this first room and uses a series of hand chisels to
        rough out a hut stone.
          Small stones, mainly from the Ibi River, are suitable
        for making hut stones with a layer of white stone  had already been cut in preparation for turning them   Above; Sakurai’s showroom
        alternating with darker layers. After obtaining the  into landscape stones. We examined these “landscape   with various types of stones
        shape with cold chisels, he uses an electric grinding  stones in progress” and brought one back with us as   he sells. He has partially, and in
        tool to refine the shape. A little polishing and further  a souvenir.                    many cases totally enhanced
                                                                                                 the stones. He is a major
        refinement, if needed, yields an attractive hut stone in   Sakurai’s sand blasting equipment sat nearby at the   supplier of suiseki to several
        fifteen to twenty minutes. Because small hut-shaped  other end of the same room. This consisted of a large   dealers who in turn supply
        stones are easily recognized, attractive, and not too  air compressor with thick rubber tubing connected to   stone collectors in Japan and
        expensive, they have been popular with foreign  a large box shaped structure. A large metal tubular bin,   internationally.
        visitors or with Japanese who are new to the art of  which held the etching sand, sat above the compressor
        stone appreciation.                         on a heavy metal stand. The actual sandblasting oc-
          We took a medium-sized black rock into the next  curs inside the box. An exhaust and recycling system
        room where Sakurai had a fairly sophisticated large  protects the user from fine sand, rock and dust. The
        circular bladed electric saw for cutting even large  box is also equipped with lights and blocks to hold a
        boulders. The blade is diamond coated and running  stone in a particular position while it is being sand
        water cools the blade and stone during the cutting  blasted. The sequence it this: Sakurai places a stone
        process. He showed us how his equipment can cut  inside the box in the correct position, closes the side
        through a medium-sized rock in a few minutes, a bit  door, then sits in front of the box and looks inside the
        longer for larger stones. Often, he just makes a bottom  box through a strong flexible plastic window. A hole
        cut, but sometimes he makes a series of shallow to  in the plastic window allows him to insert the heavy
        deep cuts as his first steps in making nice single-peak  tubing through which high volume compressed air
        or multiple-peak mountain stones. After the initial  and sand make contact with the stone. He can move
        cut, he further works the stone with hand-held cutting  the hose and nozzle to any position he wants. A se-
        and shaping tools. He had a sizeable pile of rocks that  ries of different-sized nozzles allow him to select the

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