Page 38 - Tạp chí bonsai cây cảnh BCI 2016Q4
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Top; Many Seta River Tiger
        Striped stones, including this
        one, have been cleaned and
        polished by Sakurai using this
        equipment.
        Middle; This is a Narai stone
        and a fine example of one
        of Sakurai manufactured
        landscape suiseki using a
        variety of tools and a short
        hydrochloric acid bath to
        darken the color of this stone.
        Bottom; An Akadama
        mountain-shaped stone
        from Sado Island. This is a
        completely manufactured
        suiseki. Most Akadama
        landscape stones have been
        altered to improve their
        appearance.




                                                                          We have consistently heard from
                                                                          Western students of Japanese
                                                                          suiseki, that Japanese stones are
                                                                          never treated with oils or waxes
                                                                          and that they are always natural
                                                                          and aged with the process of yoseki.
                                                                          However, we learned several years
                                                                          ago that some Japanese stones,
                                                                          especially those coming from
                                                                          the earth, that the final stage of
                                                                          cleaning involves the use of a soft
                                                                          pliant wax from the Ibota beetle.



                                                                          pneumatic drill. On the middle left is an example of
                                                                          a stone made in this manner. The entire back portion
                                                                          and some of the slopes of this stone was shaped using
                                                                          this method. Once a stone has been cut, altered and
                                                                          polished, it was often placed in hydrochloric acid for
                                                                          a few minutes to darken the stone. Buyer’s preferences
                                                                          for dark or black landscape stones were driving this
                                                                          process.
                                                                            Sakurai has been actively practicing yoseki, a Japa-
                                                                          nese practice of cultivating stones outdoors and by
                                                                          regularly watering them. Over the course of forty
                                                                          years he has placed thousands of stones on benches
                                                                          at his workshop and at his home. The stones are also
                                                                          exposed to rain and snow. While this is not suitable for
                                                                          all stones—Furuya, for example, should not be sub-
                                                                          jected to yoseki practices—many other stones will de-
                                                                          velop a patina that gives the stone a feeling of oldness,
                                                                          serenity, or quietness. This is likely a slow oxidation
                                                                          process. Sakurai uses this process for stones that have
                                                                          been cut and worked. Many years of this practice will
                                                                          erase all signs that a stone was cut and worked. This is
                                                                          never mentioned in books on suiseki in Japan.

        36    | BCI |  October/November/December 2016
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