Page 46 - Tạp chí bonsai cây cảnh BCI 2018Q1
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Top; 3rd winner of the category
        Landscape Stones, titled “Help
        me to tackle the climb”, origin:
        Liguria, Italy, collector: Luciana
        Queirolo
        Top right; 1st winner of the
        category Stones to Admire,
        titled “L’urlo del Vento”, origin:
        unknown, collection Sergio
        Bassi
        Middle left; 1st winner of the
        category Object Stones: a bird-
        shaped stone (pelican), origin:
        Italia, collector: Renzo Perfumo
        Bottom left; 3rd winner
        of the category Biseki, a
        Chrysanthemum stone
        from Japan, titled “I colori
        profumano l’autunno,”
        collection Ettore Gardini
        Bottom right; 1st winner of the
        category Biseki/surface pattern
        stones, titled “La magia della
        pietra insolita,” origin: Tuscany,
        Italy, collector: Giuseppe De
        Vita










                              the annual congress. This year’s annual XX° Congres-
                              so Nazionale was hosted by “Bonsai Do Groane” and
                              “Scuola Suiseki Do Groane” and supported by Unione  European countries. The display space of 1.80 m wide
                              Bonsaisti Italiani (UBI) as well as Collegio Nazionale  and 90 cm deep was given to each exhibitor who could
                              Istruttori (IBS). It was held on 7 and 8 October 2017 at  decide to exhibit only one big or two smaller suiseki
                              Palazzo Arese Borromeo in Cesano Maderno (MB), a  or a shelf. The background was high enough to hang
                              small town not too far from Milano, in northern Italy.  scrolls. As always, landscape scenic stones (mountain
                                This year, I was honoured to be invited as a guest, as  stones) predominated (29 of 61 single suiseki as well
                              Giudice Unico or Single Judge, and gave a power point  as 7 multi stand with two or three stones). The name
                              presentation about stone exhibitions in China and Ja-  of the owners of the Suiseki were added to the label
                              pan in 2015 – 2017, as well as, a critique of stones in  only after the judging. Arrangements were enhanced
                              exhibit.                                    with complimentary items, for example accent plants,
                                In exhibiting their stones, AIAS members are mostly  art objects and/or scrolls (kakemono). Generally, har-
                              following the Japanese Suiseki practice, just like other  mony between display items and empty space are most

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